I did it, whew! Next I'll tackle my screenplay Fugitive Child after I un-kink my fingers. The television series Beauty And The Beast was where I first explored writing, submitting over half a dozen teleplays for the production company, some of which were 'incorporated' into final episodes that aired immediately after the big writer's strike. Oh, naive me . . . I sat back and said "HEY!!" when I watched, then after pouting a few days went out and got myself an agent, who agreed that 'incorporated' was a good word to use. He showed me how to register my work through the WGA and to Copyright it.
Armed with a little more knowledge I wrote a screenplay, "Mexican Vacation" and submitted it to Dan Adams, my agent. But the production company for the "Vacation" movies had disbanded shortly after that time. I may post a little of it at some point here, but honestly, twenty years ago there wasn't so much political correctness. I doubt I can find more than a few pages that won't offend somebody . . .
Then I saw the news about the Underground Railroad on television and got inspired to write a screenplay on the subject, Fugitive Child. I wrote that in three weeks and submitted it to Dan. He had a production company very interested in it, but another version of that timely subject matter showed up on television before my submission really got off the ground. Could I do anything about that? No, since it was current news it was public domain. Dan Adams sat me down about then and told me a couple of things: 1) If I was serious about writing for Hollywood I had to pack up the hubby, kiddies and dogs and move there. Hmmm, somehow I just knew John wouldn't go for that. 2) If I was serious about writing for Hollywood I had to understand that the biggies oft times 'incorporated' outside work and you as a writer had to just count it as paying your dues. One day you might get big enough to turn the tables and 'incorporate' others' work . . . it's how Hollywood operates.
Well, I wasn't too happy with that news. Dan could see the steam coming out of my ears, so he advised me further. 'If you can't abide with that I suggest you write books. It's much harder for people to 'incorporate' them.' So, that's what I've done . . . I just had to pout some years in-between.
Regarding this teleplay, I was forced to take some serious liberties with the formatting. To those who would kvetch about the formatting, I have three words for you: Well, exxcccccuuussee mmeeeee!
It was like trying to take a wheel of brick hard cheese and stuff it into a ketchup bottle. I hope you enjoy my work, and please invite others to read who might like what I've posted!
Wednesday, May 12, 2010
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This was very good. I think the people who have never seen the show would be a tad lost, but for those of us that remember the show, no problem. I for one could picture it all in my mind easily. A very touching story line. The scenes with Joe are the best. :-)
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